Thursday, April 15, 2004

Politics, politics and more politics: patriotism is all about how you speak

It was disheartening to read the New Yorker story (here) on Kerry and his use of the French language when among French diplomats or journalists. The Washington Bureau Chief for France 2 has remarked that in recent months Kerry has refused to banter on record with the French press corps in their native language. It appears that Kerry’s relatives in France, his attendance at a Swiss boarding school, and his comfort level with foreign journalists in general have earned him such labels as “Monsieur Kerry” and “Jean Cheri” and “Jean Francois Kerry.” Capitalizing on the whiff of negative air directed at the Democratic campaign, the Secretary of Commerce, Donald Evans (perhaps looking after his own le job), told reporters that Kerry even looks French. Mais non!

The French press have had a tough go of it in Washington this year, the article tells us, what with snide references to freedom fries and the Axis of Weasel hanging in the air. But Kerry’s abrupt departure from his previous open-door policy toward foreign journalists has the press corps ‘perplexed.’ The following comment is cited in the New Yorker: “For us (this from the French journalists), to speak any other language and have an open view of the world, for a President, should be a plus.” It appears that this view is not shared by the rest of this nation.

Patriotism has come to have an interesting, singularly American meaning: it appears to require a repudiation of anything not born and bred on American soil. And it requires speaking like an American.

The concept of ‘patriotism’ makes another appearance in the New Yorker: in a letter to the magazine, a reader writes in response to a review of Woody Guthrie’s biography which had suggested that the songwriter was less than patriotic. The reader states: “[M]ore troubling…especially in today’s political climate, is the implication that one becomes patriotic by supporting one’s government. Wasn’t Guthrie being patriotic when he stood up for poor people during the Depression or when he fought for the labor movement? Was he being unpatriotic when he wrote “Pastures of Plenty” and “This Land is Your Land?”"

I suppose if Guthrie had also worn a French beret and occasionally thrown around a bonjour, he wouldn’t have stood a chance. Can you blame him for affecting an American drawl?

How to irritate a government official

Say you’ve just written a mystery-thriller novel. All characters appear to be fictionalized versions of people out there. You’ve inserted the standard language about everyone not really being anyone and about the coincidental likenesses that may have emerged (which is, of course, foolish because your imagination most likely made use of traits scalped straight from your black book of familiar persons), and you are hoping for big sales. Your book even has political undercurrents: it is about a person who seeks revenge after being driven by the government to a state of complete desperation. This main protagonist winds up shooting the Chancellor (I forgot to mention, the book takes place in Germany).

Wouldn’t it be maddening if you were that author and the real Chancellor (Gerhard Schröder) brought a successful injunction to put a stop to the sale of the book, because on the cover there is an illustration that sort of kind of but not really looks like him? The NYTimes writes about this (here), noting that the judge sided with the Chancellor (oh what a surprise) and banned publication until the picture is removed from the cover. Is someone over-sensitive, or could one really make the credible argument that such a likeness (if it is a likeness) might incite someone to acts of great violence?

A word of thanks to the greats

There are four weblogs out there that keep me going each day. There are others, too, but these four are what I start the weblog day with and I am never disappointed. They could not be more different from each other and it is this perhaps that gives me such joy in reading – the diversity of perspectives and the singular personalities that come through (I do happen to know all four authors reasonably well and that is definitely an asset).

I’ve picked one completely non-representative post from each to cite to here. The authors may squirm at my selections, but hey, it is my choice!

I’ll start, alphabetically, with Ann’s. Ann doesn’t always accompany her text with photos, but on the rare occasion that we do get pictures, there’ll often be a gem of a caption. Consider the post here – and be sure to scroll down to the "trees squirming." Look around at her other posts to get a taste of her commentary on art, politics and the American Idol.

Jeremy, yes, well, then there’s Jeremy. In truth, his was the first blog I ever read and so if there is any culprit out there responsible for the blogathon that was born this year, I suppose he must bear the blame. Just today he posted a paragraph about a concert he attended. Read about it here. It is poignantly hilarious. Scroll down further (note photo depicting his sentiments about teaching this semester) and you’ll become a JFW addict.

Mary came onto the blog scene later than the others. Though legally inclined, she brings to her blog her past life as a journalist. Consider her post today on cranberries (here). It makes me so very proud that her blog grew out of our discussions on blogging early in the semester. (You mean I had a wee tiny role in this? Wow!)

Tonya can be irreverent in her blog. I can’t resist linking to her post from today (here) because it shows off her pride in having 'Communist friends' – and perhaps only she would appreciate the joy I get from being singled out as a friend in this way!

Again, there are so many other bloggers who can make my day on any particular morning. But these four – they are always part of my wake-up. This, then, is a quick (and late! oh my is it late!) note of thanks. Your efforts are SO appreciated.